Our appetites are triggered by the images, we want to eat the cakes and watermelons, which have been consumed by time, which is exactly what will happen to our bodies. The memory of the painting and the presence of the photograph come together to form one of these constellations. Written in the seventeenth century, written by the “lay genius” Cervantes, this enumeration is a mere rhetorical praise of history. . Sharon watched on CNN the infamous interview the Mayor of Las Vegas, Carolyn Goodman, gave where she talked of the need to reopen the casinos. As arts communities around the world experience a time of challenge and change, accessible, independent reporting on these developments is more important than ever. But Core’s photographs reconstitute an aura of a different kind. The first method Menard conceived, says the narrator: […] was relatively simple. What does it mean to grow your own watermelon now, in the age of industrial farms, airlifted fruits from all over the globe, and Monsanto, that it did not mean in the early 1800s? Official site with news, a few photos, video clips, and a mailing list. It has returned with a “certain alienated majesty,” to invoke Ralph Waldo Emerson’s remark in “Self-Reliance” (1841) that “[i]n every work of genius we recognize our own rejected thoughts: they come back to us with a certain alienated majesty.” In Borges’s story, the narrator recognizes in the genius of Menard’s text the alienated majesty of thoughts the culture has already long since digested. Core’s photographs absorb the original paintings and set the relationship between painting and photograph in motion, into a poetics of appropriation. In the hierarchy of painting genres established in European art academies since the Renaissance, the still life comes dead last out of six. Her change of medium asks about form and content. Instead, her rendering of the paintings’ subject matter as photographs acknowledges the non-identity of her work with theirs, even while she strives toward an identical-ness. Sharon MacQuarrie Interview, August 10, 1999 . During a StoryCorps interview in October, Larry, now 65, and Sharon, 72, remember how they first met. How many “lives” does a still life have? I think in the digital age documentary photography is no longer evidence of any real situation or condition, if it ever was. She received a BFA from the University of Georgia in 1987 and an MFA from the Yale University School of Art in 1998, where she was awarded the George Sakier Memorial Prize for Excellence in Photography. Sharon Core is an American artist and photographer whose work uses art-historical conventions of landscape, portraiture and still life to explore questions of collective memory, the nature of authenticity and authorship, and the interplay between photographic truth and illusion. I felt this was an ideal body of work to recreate in reality because of its presence in the culture’s pictorial memory. In a moment of devilish humor, the narrator of Borges’s story praises Menard’s work as superior to Cervantes’: “Cervantes’ text and Menard’s are verbally identical, but the second is almost infinitely richer. Become a member today », Sharon Core, “Early American – Still Life with Flowering Tobacco” (2009), analogue C-Print, 14 1/2 x 18 3/4 inches (all images courtesy Yancey Richardson Gallery, New York). I came to photography out of a love for the moment the image is made. I ended the essay as convinced as I already was of the author’s writing (I like Stonecipher’s poetry) yet unconvinced of her subject artist. I chose Wayne Thiebaud because his work is very iconic and recognizable in the US. Hopefully the viewer does not need to be aware of anything but the work in front of their eyes. Philosophical Paintings that Bare Their Process, With Photography, Sarah Charlesworth Deconstructs the World, Text This Number in the US to Find Out Which Native Land You're Living On, Internet Sleuths Locate Mysterious Monolith in Utah, Thanksgiving Movies to Watch If You Aren't Into Celebrating Colonialism, The Best Books of 2020, According to the New York Public Library, Hillbilly Elegy Tries, and Fails, to Understand the Working Class, Japan House Los Angeles Celebrates North American Debut of, Proudly powered by Newspack by Automattic. but discarded it as too easy.

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