You can use dynamic mics, which don’t require power, but condensers are usually preferred for recording guitar, because they’re significantly more sensitive and accurate. Stereo bar to the rescue! The angle is then pointed towards the sound source. If your budget allows, consider popular models like the Shure SM81 or Neumann KM 184. This configuration is typically used in conjunction with some closer microphones. Stereo recording with two mics is a popular way to record acoustic guitar, but you might begin by experimenting with a single microphone. Stereo recording with two mics is a popular way to record acoustic guitar, but you might begin by experimenting with a single microphone. That being said, this microphone technique is widely used in live situations because it can withstand high sound pressure levels and reduce potential feedback through on stage monitors and house speakers. The mic position contributes about 20% to the overall sound. As of Feb 21st 2018, information elsewhere on this website may no longer be accurate. The XY configuration is a stereo option for many different applications. This position will help to minimize the proximity effect and will help you to capture the instrument as a whole. A good initial location is the spot where the guitar neck joins the body, about a foot away from the guitar. Find answers to questions about Cakewalk products. By nature the microphone is very sensitive and picks up much of the low end of the acoustic giving it a thick and chunky sound. Placement is usually dictated by musical genre but most engineers place microphones to capture a good overall balance of the instrument. As you can see by the above image it takes a bit of setup to get the capsules of the microphones as close to one another as possible without having them touch. Microphone placement is the foundation for any solid recording. In an ideal acoustic environment, you might get a great sound with the mics as much as … Capturing an accurate stereo recording can be derailed by phasing issues easier than you would think. While the first mic is still a small diaphragm condenser pointed at the 12th fret, the second mic is positioned on a mic stand around the performer's ear level, pointing down either at the bridge or at the strings just in front of the bridge. Tip: If the guitar player prefers to use stage monitors, place the microphone on the body of the guitar underneath the fret board and point the directional microphone upward, away from the monitor. It will feel a bit uneasy if they are panned too hard, but it does make for a wider signal than just straight mono. Using two dynamic microphones on an acoustic leads to some interesting choices for panning later in the mix.This techniques comes from placement used on guitar amps and bass amps. The Large Diaphragm Condenser is set to “Figure 8” or “Bi-Directional” (same thing) and placed so that the capsule of the microphone is perpendicular to the sound source. Many novice recordists fall into the pitfall of recording an acoustic guitar by placing the mic directly in front of the soundhole. This article proves to present some different placement techniques for a simple acoustic guitar recording. To alleviate this many engineers will use a stereo bar like the one shown in examples 7 and 8. A substantial part of the placement is how far the microphones are placed from the source. The mic should then be angled towards the sound hole. Depending on strum direction you can almost feel the attack of the guitar pick on the high and low strings moving from left to right and right to left. This setting is much more narrow in comparison to a stereo configuration and would be perfect for double-tracking purposes where the player would strum two different performances of the same chord progression and pan them hard left and hard right. The distance between the mic and the guitar also has an effect on the sound. 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